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"She’s the Man" was an Amanda Bynes vehicle back when she was still a star, and featured Channing Tatum before he really was one.Bynes plays Viola Hastings, a girl who pretends to be her brother to get onto a soccer team.One can't help but wonder, however, if some of these adaptations would make the great wordsmith squirm, especially the vast array of teen flicks cannibalized from his oeuvre. No matter where, a lovely lady gets to prove an easy point about girl power while some fake homoromantic tension is ginned up between the lady in drag and the man she falls for. Of course, in Shakespeare's time, the constant cross-dressing (movie-makers could also try "As You Like It," though for some reason they seem stuck on "Twelfth Night") was far more practical and complex than it is today, as all of the female parts were played by boys or young men.Not only was it fairly easy for these actors to be "convincing" in male garb, the device was a knowing wink at the audience, who knew the actor was a man playing a woman pretending to be a man.If you want to meet women and fall in love with them, you can do that here too.

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Here's what we do know: This is the 399th anniversary of Shakespeare's death, and his outsize importance to Western culture looms as large as ever. In fact, the cross-dressing comedy seems to have particular appeal for the makers of teen movies.

Christopher Marlowe would be lime-green with envy over the popularity of his one-time rival's plays; there are entire theater troupes devoted to performing Shakespeare, and the finest actors jockey to commit their portrayals of Hamlet and Lady Macbeth to film. "West Side Story," "Kiss Me, Kate," -- many of Shakespeare's plays were themselves retellings of historical events or classic tales, and the appeal of the narratives has only grown with his magical touch. "Twelfth Night" adaptations have been set on high school soccer teams, motocross events, and journalism competitions.

And so, we have a typical girl in film-quality male wigs shouldering the weight of a Shakespearean masterwork. The Bad: "She’s the Man" makes the mistake of many adaptations that lack confidence in their spin: It overcompensates by rigidly adhering to unnecessary details. Maintaining the same characters does not a successful modern adaptation make, however.